You’ve entered elite head area of 1 form or one other. It makes you’re feeling a bit high, drugged, and fitted with V.R. Jennifer Egan’s new one, “The Candy Home,” is one of these novels. That e book tells more than a dozen interrelated stories and absolutely defies neat summarizing. “The Sweet House” is a sequel to “A Go to From the Goon Squad,” Egan’s Pulitzer Prize-winning 2010 novel. Amongst its central characters is Bennie Salazar, a flailing report government, and Sasha, his assistant. You don’t must have read “Goon Squad” to choose up “The Sweet Home,” but it surely helps. Many of the characters are again; many have grown youngsters; all have new, bushy, ingrown issues. The novel is about music, New York’s East Village, magazine journalism, San Francisco within the 1970s, Gen-X nostalgia, the digitalization of every part and the search, in the face of that vitality-sucking digitalization, for types of authenticity. We’re having hassle retrieving the article content material. All kinds of strings from the sooner guide are picked up and braided, twanged or cauterized. Please enable JavaScript in your browser settings. In case you are in Reader mode please exit and log into your Instances account, or subscribe for all the Times. Thank you to your patience whereas we verify access. Thank you to your persistence while we confirm entry. Already a subscriber? Log in.
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Of their wake, he will create a household gadget that permits a human thoughts to be copied (a sort of cortical again-up drive), and a subscription-only spiritus mundi. Users who agree to upload their brains will achieve entry to the anonymised content of every other user, residing or dead; an excellent “churning gyre” of memory and thought. Questioning in regards to the identity of an attractive stranger, the grisly fact of a homicide, or the fate of a protracted-lost frenemy? Who might resist the lure of a tangible, search-optimised previous? In opposition to this backdrop of escalating disclosure – what Egan calls the “Self-Surveillance Era” – The Candy Home tells tales of searching. A recovering heroin addict considers the redemptive chance of Dungeons and Dragons. A lovesick programmer collects trinkets, like a human bowerbird, in the hope they’ll wordlessly convey his affection. Simply run a face-match on the CollectiveConsciousness. A movie-maker begins shrieking on the subway, to jolt his fellow commuters into a moment of pure sincerity.
And the plot ricocheted like a shopping-addled mind.
A go to from the Goon Squad, Jennifer Egan’s 2010 Pulitzer-successful rock’n’roll novel, felt like the beginning of one thing. It was a tale as gimmicky and restless because the smartphone era threatened to be. The solid was a neon collision of kleptomaniacs, philanderers, It girls, autocrats and a guitar band referred to as the Flaming Dildos. One chapter was written completely in PowerPoint slides; another in textspeak (“if thr r youngsters, thr mst b a fUtr, rt?”). But if A Visit from the Goon Squad carried the promise of a grand wave of tech-inflected fiction, that literary trend by no means fairly materialised. And the plot ricocheted like a shopping-addled mind. A dozen years on, and Egan’s cult novel now feels like the end of one thing, a kind of techno-optimist elegy: a examine in time’s “incremental deflations”, and the loneliness of hyper-connectivity. In an era of screen-curated selfhood, autofiction surged instead. It’s this sense of paradoxical isolation that Egan revisits in her new book. The Candy Home is less a sequel to Goon Squad than a fraternal twin.
A former spy worries that her thoughts are now not her personal. Here, once again, is the novel as network: each element tale – each node – might be traced back to that New York condo filled with books and massive speak, where Bix is waiting for his lightbulb moment. Connectivity is greater than Egan’s theme, it’s her modus operandi. However for all Egan’s type-elasticity – her inventive peacocking, tech speculation and bricolage – the tales that work finest in the Sweet Home are the least flamboyant. When somebody threatens our rights, nonetheless, a wider leeway turns into necessary”). What felt playful in Goon Squad now feels slightly stale: a sustained passage of back-and-forth emails is too conveniently expository; a treatise on spycraft is an on-the-nostril wallop (“As Individuals we prize human rights above all else and can’t sanction their violation. Beneath all of the glitz and frippery, there is something basically old-fashioned concerning the Sweet Home.
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