You’ve entered elite head space of 1 type or one other. It makes you feel a bit excessive, drugged, and fitted with V.R. Jennifer Egan’s new one, “The Sweet Home,” is one of these novels. That e-book tells greater than a dozen interrelated stories and completely defies neat summarizing. “The Sweet House” is a sequel to “A Go to From the Goon Squad,” Egan’s Pulitzer Prize-winning 2010 novel. Amongst its central characters is Bennie Salazar, a flailing document government, and Sasha, his assistant. You don’t must have learn “Goon Squad” to select up “The Candy House,” however it helps. A lot of the characters are again; many have grown children; all have new, hairy, ingrown issues. The novel is about music, New York’s East Village, journal journalism, San Francisco in the 1970s, Gen-X nostalgia, the digitalization of everything and the search, in the face of that vitality-sucking digitalization, for forms of authenticity. We are having trouble retrieving the article content. All sorts of strings from the sooner ebook are picked up and braided, twanged or cauterized. Please enable JavaScript in your browser settings. In case you are in Reader mode please exit and log into your Occasions account, or subscribe for all of the Occasions. Thanks to your patience whereas we verify entry. Thank you for your patience whereas we confirm access. Already a subscriber? Log in.
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Of their wake, he will create a family gadget that enables a human thoughts to be copied (a sort of cortical back-up drive), and a subscription-solely spiritus mundi. Users who conform to upload their brains will gain entry to the anonymised content of each other person, residing or useless; a great “churning gyre” of reminiscence and thought. Questioning in regards to the identity of a beautiful stranger, the grisly reality of a murder, or the destiny of an extended-lost frenemy? Who might resist the lure of a tangible, search-optimised previous? Towards this backdrop of escalating disclosure – what Egan calls the “Self-Surveillance Era” – The Candy House tells stories of looking out. A recovering heroin addict considers the redemptive chance of Dungeons and Dragons. A lovesick programmer collects trinkets, like a human bowerbird, in the hope they’ll wordlessly convey his affection. Simply run a face-match on the CollectiveConsciousness. A film-maker begins shrieking on the subway, to jolt his fellow commuters into a second of pure sincerity.
A visit from the Goon Squad, Jennifer Egan’s 2010 Pulitzer-successful rock’n’roll novel, felt like the beginning of something. It was a tale as gimmicky and restless because the smartphone period threatened to be. The solid was a neon collision of kleptomaniacs, philanderers, It ladies, autocrats and a guitar band referred to as the Flaming Dildos. One chapter was written fully in PowerPoint slides; one other in textspeak (“if thr r kids, thr mst b a fUtr, rt?”). But if A Visit from the Goon Squad carried the promise of a grand wave of tech-inflected fiction, that literary development never fairly materialised. And the plot ricocheted like a searching-addled mind. A dozen years on, and Egan’s cult novel now feels like the tip of something, a kind of techno-optimist elegy: a study in time’s “incremental deflations”, and the loneliness of hyper-connectivity. In an period of display-curated selfhood, autofiction surged as an alternative. It’s this sense of paradoxical isolation that Egan revisits in her new e book. The Sweet Home is much less a sequel to Goon Squad than a fraternal twin.
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A former spy worries that her ideas are not her own. Here, once again, is the novel as network: each component tale – each node – may be traced back to that New York condominium full of books and large discuss, the place Bix is waiting for his lightbulb moment. Connectivity is more than Egan’s theme, it’s her modus operandi. However for all Egan’s type-elasticity – her inventive peacocking, tech speculation and bricolage – the tales that work best in the Sweet Home are the least flamboyant. When somebody threatens our rights, however, a wider leeway becomes necessary”). What felt playful in Goon Squad now feels a bit of stale: a sustained passage of again-and-forth emails is too conveniently expository; a treatise on spycraft is an on-the-nose wallop (“As Americans we prize human rights above all else and can’t sanction their violation. Beneath all of the glitz and frippery, there may be something essentially old style about the Sweet Home.
You’ve entered elite head space of 1 type or one other. It makes you feel a bit excessive, drugged, and fitted with V.R. Jennifer Egan’s new one, “The Sweet Home,” is one of these novels. That e-book tells greater than a dozen interrelated stories and completely defies neat summarizing. “The Sweet House” is a sequel to “A Go to From the Goon Squad,” Egan’s Pulitzer Prize-winning 2010 novel. Amongst its central characters is Bennie Salazar, a flailing document government, and Sasha, his assistant. You don’t must have learn “Goon Squad” to select up “The Candy House,” however it helps. A lot of the characters are again; many have grown children; all have new, hairy, ingrown issues. The novel is about music, New York’s East Village, journal journalism, San Francisco in the 1970s, Gen-X nostalgia, the digitalization of everything and the search, in the face of that vitality-sucking digitalization, for forms of authenticity. We are having trouble retrieving the article content. All sorts of strings from the sooner ebook are picked up and braided, twanged or cauterized. Please enable JavaScript in your browser settings. In case you are in Reader mode please exit and log into your Occasions account, or subscribe for all of the Occasions. Thanks to your patience whereas we verify entry. Thank you for your patience whereas we confirm access. Already a subscriber? Log in.
