The Candy Home

Discuss Miles’ discovery, and how and why distance — and art — assist him to make it. What saved him from seeing issues clearly earlier than? 10. In “Bright Day,” Roxy watches a Dungeons & Dragons recreation each week at her drug therapy center. She marvels at how characters are created and the way players change into absorbed in the game. 8. Information experts are referred to as “counters” in the Sweet House. How do her observations on the game apply to the other characters’ experiences within the novel? What position does D&D play in telling Roxy’s personal story? Most proxies are fiction writers who impersonate a number of identities without delay. 11. “Proxies” are professionals who cowl up for eluders by maintaining their abandoned identities on-line. Suppose about why somebody would possibly become a proxy. Would you? What is the significance of fiction writers taking such a job? Are all novelists proxies of a sort? 12. Across the novel, we see characters by means of a number of perspectives, together with their very own.

In practically each chapter of THE Candy House, characters are in disguise or grow to be related to other characters in unexpected methods, or are seen from totally different perspectives, or are simply strangers to themselves. 2. In the first chapter, Bix, disguised as a graduate pupil, tries to recreate the sorts of discussions he remembers having as a faculty and graduate scholar. Talk about Jennifer Egan’s exploration of knowability: how we know ourselves and how others know us. And how essential is his disguise to the revelation and discovery that observe? 3. THE Candy House (Discover More Here) is made up of tales written in distinct narrative voices and types. Why are these dialogues so exhausting for him to have in his grownup life? How do these different approaches affect your studying experience? Did you’re feeling a type of spark when you acknowledged the place the characters’ lives intersected? 4. THE Sweet Home is damaged into 4 sections — “Build” (twice), “Break” and “Drop” — mimicking the construction of Digital Dance Music.

What are its benefits and disadvantages?

How do the events of every part fulfill its position in this construction, and how do the sections relate to each other? 5. Searching for authenticity is a core theme of THE Candy Home. Talk about why the writer might need chosen to prepare her book this manner. What do you make of Alfred’s philosophy? Does technology like social media result in less authentic communication and experience? What are the limitations of Alfred’s solutions? 6. If the “Own Your Unconscious” know-how were real, would you use it? What are its benefits and disadvantages? Are parts of Personal Your Unconscious already current in the internet? 7. Miles Hollander is a mystery to himself. According to Alfred Hollander, authenticity requires “violent unmasking” (web page 30), which is why he makes use of disruptive habits, corresponding to screaming in public, to produce unfiltered reactions. He is baffled by the differing outcomes in his personal life and his cousin Sasha’s. Yet when he goes up in a hot air balloon and sees Sasha’s artwork from above, all the things comes into perspective for Miles — each his cousin’s sculptures and his life.

We see them by means of the eyes of these who’re close to them and people who solely know them barely. What would possibly you be taught if you could see yourself in this fashion — and would you want to? What do you make of this holistic view? What does this storytelling method enable Egan to do that she won’t be capable of, using a more traditional construction? 13. “Lulu the Spy, 2032” and “See Below” use the two most unusual narrative kinds within the novel. Why do you think Egan selected to approach these particular chapters as she did? Think about that these stories were informed in a extra conventional format. 14. In “Eureka Gold,” we be taught of the tension and battle between Bix Bouton and his youngest little one, Gregory. What could be misplaced? And the way does their father-son tension replicate the larger concerns within the Candy House? What is the character of the gulf between them? 15. The novel ends with the story of Ames Hollander, age 11, hitting a house run and successful the baseball game for his staff in 1991. Why do you suppose Egan chose to finish the novel with a narrative set before a lot of the innovations and the motion happen? What do you make of Gregory’s remaining discoveries in this chapter — about his father and about himself? What position does know-how play in the ultimate chapter, and the way does it replicate back on the remainder of the stories main as much as it? 16. Personal Your Unconscious doesn’t exist in the actual world — but. Or does it? How is life with Bix’s invention completely different from the digital world we already dwell with? And what does Egan suggest in the ultimate chapter in regards to the function of fiction in our experience of the collective unconscious?