7. What do you think the novel is attempting to say about parenting through the elusive nature of Miranda Kline? 8. In the e book a billboard reads, “Never trust a candy home! ” How does this billboard hook up with the theme of the novel? Why do you suppose you need to by no means belief a sweet house? 9. Egan writes, “Not each story needs to be informed.” How do you think this statement pertains to modern society and our relationships with tech and social media? 10. Who’s Bennie Salazar in “A Go to From the Goon Squad” versus Bennie Salazar in “The Sweet House”? 12. Roxy is disgusted by experiencing her trip to London by her father’s eyes. Or Stephanie? Or Dolly? 11. What do you think The Candy House is saying about the character of nostalgia? What do you think the e-book is attempting to say about the character of perspective? Jennifer Egan is the author of six earlier books of fiction: Manhattan Seaside, winner of the Andrew Carnegie Medal for Excellence in Fiction; A Go to from the Goon Squad, which received the Pulitzer Prize and the National Ebook Critics Circle Award; The Keep; the story collection Emerald Metropolis; Have a look at Me, a Nationwide Book Award Finalist; and The Invisible Circus. What do you think it means for these characters to be able to learn somebody else’s thoughts and memories? Her work has appeared in The brand new Yorker, Harper’s Journal, Granta, McSweeney’s, and The new York Times Journal.

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Egan introduces these characters in an astonishing array of narrative kinds-from omniscient to first individual plural to a duet of voices, an epistolary chapter and a chapter of tweets. 1. Why do you assume Bix Bouton disguises himself as a graduate students? Do you suppose there is a deeper reason for him desirous to turn out to be a different individual (other than not being recognized as a tech mogul)? Joining Karah Preiss and visitor host Betty Cayouette (of Betty’s E book Listing) as part of the Belletrist E book Club, author Jennifer Egan takes a deep dive into The Candy House, covering topics corresponding to expertise, the collective consciousness, shame, and social media, and taking The Candy Home to a complete new stage. Are we dwelling in some version of it proper now? 2. What do you assume the “Self-Surveillance Era” is as it pertains to The Candy House? Why or why not? 3. If it have been out there in today’s world, do you assume people would choose to upload their recollections to the Mandala Cube?

Bix Bouton’s firm, Mandala, is so profitable that he’s “one of those tech demi-gods with whom we’re all on a first identify basis.” Bix is 40, with 4 children, restless, desperate for a brand new thought, when he stumbles into a conversation group, mostly Columbia professors, certainly one of whom is experimenting with downloading or “externalizing” memory. It’s 2010. Inside a decade, Bix’s new expertise, “Own Your Unconscious”-which permits you access to every reminiscence you’ve ever had, and to share every reminiscence in change for access to the memories of others-has seduced multitudes. Jennifer Egan’s newest novel, The Sweet Home, spins out the implications of Personal Your Unconscious by means of the lives of multiple characters whose paths intersect over several decades. Intellectually dazzling, The Candy Home can also be extraordinarily transferring, a testament to the tenacity and transcendence of human longing for actual connection, love, family, privacy and redemption. On the planet of Egan’s spectacular imagination, there are “counters” who track and exploit needs and there are “eluders,” those that perceive the price of taking a chunk of the Sweet House.

Why or why not? 4. Within the Sweet House, Drew says, “how can I erase consciousness that has permeated each minute of my life for the reason that event itself? ”. How did you see trauma dealt with within the fictionalized world of The Sweet Home? Is trauma something to be extracted and executed away with, or should or not it’s dealt with differently? 5. In the chapter Rhyme Scheme, why do you think M is lowered to a number of data points, and the way does this relate to the theme of the book? How are we still ourselves if we externalize our trauma? Why do you assume, as a counter would say, that “possessing data, in itself, is neither helpful or predictive? 6. What is the Mondrian on this novel, and do you suppose the group is modeled after any actual life group or motion? If you happen to had been speaking to a Mondrian member, what do you suppose could be their purpose for going against the grain?

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They could make accurate predictions because they have a TON of knowledge, most of which we’ve (ironically) freely willed to them, in exchange for the benefits of their merchandise — often freed from cost and extremely practical, like Gmail (or Google docs, on which I’m composing this piece proper now). Zuboff’s e book is basically an try at caution, not not like the story of Hansel and Gretel. It’s additionally an homage to free will, with a want to salvage what’s left of it in a world that wishes to automate us (e.g. Hmm, if they think I should purchase diapers, possibly it’s time I had a child…). It is a prophylactic effort to educate about the psychic harms that the tech trade is inflicting. As extreme as it sounds, Zuboff is genuinely concerned about our means to suppose for ourselves. “Surveillance capitalism,” she writes, “unilaterally claims human expertise as free uncooked material for translation into behavioral information.” This form of knowledge has given delivery to a “new species of power” that corporations can exert: instrumentarianism.

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