You’ve entered elite head space of one sort or another. It makes you feel a bit excessive, drugged, and fitted with V.R. Jennifer Egan’s new one, “The Sweet Home,” is one of these novels. That ebook tells more than a dozen interrelated tales and absolutely defies neat summarizing. “The Sweet House” is a sequel to “A Go to From the Goon Squad,” Egan’s Pulitzer Prize-winning 2010 novel. Among its central characters is Bennie Salazar, a flailing report executive, and Sasha, his assistant. You don’t need to have read “Goon Squad” to select up “The Sweet House,” but it surely helps. A lot of the characters are back; many have grown children; all have new, furry, ingrown problems. The novel is about music, New York’s East Village, magazine journalism, San Francisco within the 1970s, Gen-X nostalgia, the digitalization of every part and the search, in the face of that vitality-sucking digitalization, for types of authenticity. We are having hassle retrieving the article content. All sorts of strings from the earlier book are picked up and braided, twanged or cauterized. Please enable JavaScript in your browser settings. In case you are in Reader mode please exit and log into your Occasions account, or subscribe for the entire Occasions. Thank you to your patience while we confirm access. Thanks for your patience while we confirm entry. Already a subscriber? Log in.

In their wake, he will create a household gadget that allows a human thoughts to be copied (a kind of cortical back-up drive), and a subscription-only spiritus mundi. Customers who conform to upload their brains will achieve access to the anonymised content of each other person, dwelling or lifeless; an ideal “churning gyre” of memory and thought. Wondering about the identity of an exquisite stranger, the grisly truth of a homicide, or the fate of a protracted-misplaced frenemy? Who may resist the lure of a tangible, search-optimised previous? Towards this backdrop of escalating disclosure – what Egan calls the “Self-Surveillance Era” – The Candy Home tells tales of searching. A recovering heroin addict considers the redemptive possibility of Dungeons and Dragons. A lovesick programmer collects trinkets, like a human bowerbird, within the hope they’ll wordlessly convey his affection. Simply run a face-match on the CollectiveConsciousness. A film-maker begins shrieking on the subway, jaranya guesthouse, phuket – https://phuket.thaibounty.com/2022/04/09/eight-top-rated-resorts-in-phuket/ – to jolt his fellow commuters into a second of pure sincerity.

In an era of display-curated selfhood, autofiction surged instead.

A visit from the Goon Squad, Jennifer Egan’s 2010 Pulitzer-profitable rock’n’roll novel, felt like the start of something. It was a tale as gimmicky and restless because the smartphone era threatened to be. The cast was a neon collision of kleptomaniacs, philanderers, It women, autocrats and a guitar band known as the Flaming Dildos. One chapter was written entirely in PowerPoint slides; another in textspeak (“if thr r youngsters, thr mst b a fUtr, rt?”). But if A Go to from the Goon Squad carried the promise of a grand wave of tech-inflected fiction, that literary pattern never quite materialised. And the plot ricocheted like a searching-addled brain. A dozen years on, and Egan’s cult novel now appears like the top of one thing, a sort of techno-optimist elegy: a research in time’s “incremental deflations”, and the loneliness of hyper-connectivity. In an era of display-curated selfhood, autofiction surged instead. It’s this sense of paradoxical isolation that Egan revisits in her new ebook. The Candy Home is much less a sequel to Goon Squad than a fraternal twin.

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A former spy worries that her thoughts are not her own. Right here, as soon as again, is the novel as network: every element tale – every node – will be traced again to that New York condo stuffed with books and large discuss, the place Bix is ready for his lightbulb moment. Connectivity is greater than Egan’s theme, it’s her modus operandi. However for all Egan’s type-elasticity – her inventive peacocking, tech hypothesis and bricolage – the tales that work greatest within the Candy Home are the least flamboyant. When somebody threatens our rights, however, a wider leeway becomes necessary”). What felt playful in Goon Squad now feels a little bit stale: a sustained passage of again-and-forth emails is simply too conveniently expository; a treatise on spycraft is an on-the-nose wallop (“As Individuals we prize human rights above all else and cannot sanction their violation. Underneath all of the glitz and frippery, there’s something essentially old style about the Candy Home.

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